26.08.08 by Jeff

No Luck Club

Last week I caught up with my friend Vince and his friend Trevor at a nice little Korean place downtown. Trevor (with the hat) and his brother Matt started an instrumental hip hop group called No Luck Club in 2000, and were quickly signed to Dan the Automator’s 75Ark Records.

Due to some unfortunate circumstances (the same circumstances that are preventing us from hearing the finished sequel to the Deltron 3030 album) 75Ark suddenly imploded just as the guys were about to relase their album. Luckily Ill Boogie Records stepped in and No Luck Club’s highly acclaimed “Happiness” album finally saw the light of day in 2003.

Their live show quickly attracted a large following and they were being compared to the likes of Dj Shadow and Coldcut, not to mention sharing the bill with the likes of Jurassic 5, and Kid Koala. Vancouver DMC champ Pluskratch joined the group and they released their followup to “Happiness”, called “Prosperity”.

Trevor didn’t ask me to post about him but this is what I do! Here’s one of my favourite tracks from “Prosperity”! If you like Ozomatli (who doesn’t?), you’ll love this!

No Luck Club – Turntables on the Bayou

(If that link craps out here’s the Zshare link to download the mp3!)













Jeff
Jeff Hamada is the Founder and Editor of Booooooom. He lives and works in Vancouver.



  • Jillian

    Filipino?





23.08.16 by Jeff

Illustrator Spotlight: Rune Fisker

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A selection of work by Danish illustrator Rune Fisker. More images below.

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23.08.16 by Jeff

Illustrator Spotlight: Jee-ook Choi

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A selection of work by South Korean illustrator Jee-ook Choi. More images below.

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23.08.16 by Staff

Artist Spotlight: Jordan Kasey

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A selection of paintings by Brooklyn-based artist Jordan Kasey. More images below.

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23.08.16 by Staff

Illustrator Spotlight: So PineNut

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Illustrations by So PineNut (click here for previous post). More images below.

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23.08.16 by Staff

Experimental Artist Petros Vrellis Creates Detailed Portraits With A Single Thread

 

Born in Greece, with a background in Electrical Engineering as well as Art Science, artist Petros Vrellis has a passion for creating interactive installations that blend art and technology. His latest project is a mesmerizing re-imagining of traditional handicraft.

Using a 28″ aluminum-rimmed loom, Petros runs a single thread from one anchor peg to another to create just the right density and darkening at precise intersections. The end result is a detailed image that emerges from 3000 – 4000 continuous loops (or 1-2 kilometers of thread)!

While Petros is following a set pattern developed from a computer-generated algorithm, as you can see in the time-lapsed video above, the step-by-step process is all done by hand. We had the chance to speak with Petros about his experimental process and why hand-made work still has a place in the digital age. Check out the full interview below!

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