10.09.12 by Jeff

Christine Sun Kim

Deaf sound artist Christine Sun Kim
A beautiful video portrait by The Selby featuring deaf performance artist, Christine Sun Kim. This is from last year but somehow I missed it. Now I am totally inspired to go and explore sound! Watch below!

Read more on Nowness.

 

christinesunkim.com

via: vimeo staff picks













Jeff
Jeff Hamada is the Founder and Editor of Booooooom. He lives and works in Vancouver.



  • Bonechaos

    This was absolutely mesmerizing. 

  • I was touched by this

  • lepetitfaon

    I absolutely loved this. Feel it is accurate to describe the ownership of sound belonging to those who have access to it, though find it strange this never occurred to me before, especially considering I work with disabled children. I also never thought of the ramifications for the people who have limited access to sound as a result of this, which I would not have considered if not for this piece (eg asking a child who cannot hear not to drag its feet because its rude, as though the child would understand why that particular sound is offensive). This does exactly what good art should do, directs you to the questions the artist is posing and forces you to think about it, wonderful work!

  • lepetitfaon

    I absolutely loved this. Feel it is accurate to describe the ownership of sound belonging to those who have access to it, though find it strange this never occurred to me before, especially considering I work with disabled children. I also never thought of the ramifications for the people who have limited access to sound as a result of this, which I would not have considered if not for this piece (eg asking a child who cannot hear not to drag its feet because its rude, as though the child would understand why that particular sound is offensive). This does exactly what good art should do, directs you to the questions the artist is posing and forces you to think about it, wonderful work!

  • lepetitfaon

    I absolutely loved this. Feel it is accurate to describe the ownership of sound belonging to those who have access to it, though find it strange this never occurred to me before, especially considering I work with disabled children. I also never thought of the ramifications for the people who have limited access to sound as a result of this, which I would not have considered if not for this piece (eg asking a child who cannot hear not to drag its feet because its rude, as though the child would understand why that particular sound is offensive). This does exactly what good art should do, directs you to the questions the artist is posing and forces you to think about it, wonderful work!

  • lepetitfaon

    I absolutely loved this. Feel it is accurate to describe the ownership of sound belonging to those who have access to it, though find it strange this never occurred to me before, especially considering I work with disabled children. I also never thought of the ramifications for the people who have limited access to sound as a result of this, which I would not have considered if not for this piece (eg asking a child who cannot hear not to drag its feet because its rude, as though the child would understand why that particular sound is offensive). This does exactly what good art should do, directs you to the questions the artist is posing and forces you to think about it, wonderful work!

  • lepetitfaon

    I absolutely loved this. Feel it is accurate to describe the ownership of sound belonging to those who have access to it, though find it strange this never occurred to me before, especially considering I work with disabled children. I also never thought of the ramifications for the people who have limited access to sound as a result of this, which I would not have considered if not for this piece (eg asking a child who cannot hear not to drag its feet because its rude, as though the child would understand why that particular sound is offensive). This does exactly what good art should do, directs you to the questions the artist is posing and forces you to think about it, wonderful work!

  • lepetitfaon

    I absolutely loved this. Feel it is accurate to describe the ownership of sound belonging to those who have access to it, though find it strange this never occurred to me before, especially considering I work with disabled children. I also never thought of the ramifications for the people who have limited access to sound as a result of this, which I would not have considered if not for this piece (eg asking a child who cannot hear not to drag its feet because its rude, as though the child would understand why that particular sound is offensive). This does exactly what good art should do, directs you to the questions the artist is posing and forces you to think about it, wonderful work!

  • lepetitfaon

    I absolutely loved this. Feel it is accurate to describe the ownership of sound belonging to those who have access to it, though find it strange this never occurred to me before, especially considering I work with disabled children. I also never thought of the ramifications for the people who have limited access to sound as a result of this, which I would not have considered if not for this piece (eg asking a child who cannot hear not to drag its feet because its rude, as though the child would understand why that particular sound is offensive). This does exactly what good art should do, directs you to the questions the artist is posing and forces you to think about it, wonderful work!

  • lepetitfaon

    I absolutely loved this. Feel it is accurate to describe the ownership of sound belonging to those who have access to it, though find it strange this never occurred to me before, especially considering I work with disabled children. I also never thought of the ramifications for the people who have limited access to sound as a result of this, which I would not have considered if not for this piece (eg asking a child who cannot hear not to drag its feet because its rude, as though the child would understand why that particular sound is offensive). This does exactly what good art should do, directs you to the questions the artist is posing and forces you to think about it, wonderful work!

  • who cares any more

    i want to show her cymatics.and i want to tell her she is loved.





28.09.16 by Jeff

Photographer Spotlight: Hollie Fernando

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Photos by London-based photographer Hollie Fernando. More images below.

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28.09.16 by Staff

Sneak Peek of Timothy Saccenti and Sam Rolfes’ New Book

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saccenti6
 

Visionary director and photographer Timothy Saccenti has a beautiful print project coming out! Made in collaboration with 3D illustrator Sam Rolfes and heavily inspired by model/actor Sui Nakashima (who Saccenti met on a project for Depeche Mode’s last album), SUI: A Journey in Self-Realization explores identity formation and transformation through a series of computer-generated manipulations.

The cinematic feel of the project is testament to Saccenti and Rolfes process, shooting thousands of frames in studio with Rolfes live scanning and manipulating on set/in real time. SUI consists of 35 unbound images that allow the reader to go through them in whatever way they choose. It also comes packaged in a reflective polychrome box encased in a vellum sheet, a deliberate decision on the part of CYMK Books to enhance the unique, material aspect of the project. Check out more images of SUI below!

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28.09.16 by Staff

Artist Spotlight: Johan Barrios

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A selection of recent work by Colombian artist Johan Barrios. More images below.

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28.09.16 by Jeff

Photographer Spotlight: Carlo Piro

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Photos by Carlo Piro. More images below.

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28.09.16 by Jeff

Artist Spotlight: Elina Merenmies

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Drawings and paintings by artist Elina Merenmies. More images below.

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