06.11.09 by Jeff

Factory Magazine

People keep saying that print is dead, but amazing publications keep showing up at my door. Enter Factory Magazine. Keep your eye on these hooligans, Vancouver is exploding right now!

factory magazine vancouver art culture magazine publication blog
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06.11.09 by Jeff

Lukasz Wierzbowski

More photos by Lukasz Wierzbowski.

Lukasz Wierzbowski photography photographer
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06.11.09 by Jeff

Tyson Anthony Roberts

Paintings by Tyson Anthony Roberts. Seattle.

tyson anthony roberts artist painter painting
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06.11.09 by Jeff

Yann Faucher

Photos by Yann Faucher.

yann faucher photographer photography
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05.11.09 by Jeff

Donny Nguyen

Sketches by Donny Nguyen. Toronto.

donny nguyen illustration illustrator drawing
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05.11.09 by Jeff

Margaret Durow

Photos by Margaret Durow. Wisconsin.

margaret durow photographer photography
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05.11.09 by Jeff

Svartkonst

Svartkonst #2 landed on my door step, and ya better get it. It’s a beautifully curated art and culture magazine and its dimensions change with each issue. Last issue was A5 this one is A4, and Oscar tells me the next issue may very well be a collection of posters!

svartkonst magazine art culture publication
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04.11.09 by Jeff

Kenichi Hoshine / Interview

Here’s Tangents interview #2! Presenting the incredible Kenichi Hoshine, who caught a lot of attention awhile back collaborating with James Jean on Polite Winter.

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KENICHI HOSHINE INTERVIEW

kenichi hoshine tangents art show interview booooooom

Where are you living these days?

I’m living and working in Brooklyn, NY.

How much of Brooklyn is there in your work?

I moved here in March of this year so I can’t say that there is much of Brooklyn in my work. I don’t think my environment affects my work too much.

You have an interesting way of veiling an image, covering elements with a wash. Can you tell me a bit about your process and the way your style has evolved into what it is now?

Most of my work you have been seeing lately have layers of beeswax over them. I have always found images that are obscured or fragmented to be more interesting than “complete” pictures. I am drawn towards implied images that suggest certain moods and narratives. More often than not, I will draw or paint a “complete” image then delete/erase/sand parts of it until I achieve the desired picture. I probably spend more time editing the image than actually putting it down on the panel or paper.

kenichi hoshine tangents art show interview booooooom

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