I’ve got art prints by Colin Henderson and Tommi Musturi to give away, courtesy of Landfill. These prints are part of a fundraiser to improve the facilities of MANYMONO – a Risograph based printing service for people who want to make zines, and prints. So far they only have equipment to print with green and black!
If you want one of these prints, describe something green that you own in the comments below. Two winners will be picked tomorrow!
Reid (Lifetime) and I would like to thank the hundreds and hundreds and hundreds of you that came out to the art show on Friday! It was overwhelming! Big thanks to Savoury Chef for providing all of the delicious food, the mini Vietnamese subs were a huge hit! If you’re hosting an event in Vancouver you need to let them handle the catering! Thanks to Phono for the music and Kale Friesen for shooting photos!
The gallery side was packed the whole night and the lounge side (with the music and food) quickly turned into quite a party. If you were there, leave a comment!
KENICHI HOSHINE INTERVIEW
Where are you living these days?
I’m living and working in Brooklyn, NY.
How much of Brooklyn is there in your work?
I moved here in March of this year so I can’t say that there is much of Brooklyn in my work. I don’t think my environment affects my work too much.
You have an interesting way of veiling an image, covering elements with a wash. Can you tell me a bit about your process and the way your style has evolved into what it is now?
Most of my work you have been seeing lately have layers of beeswax over them. I have always found images that are obscured or fragmented to be more interesting than “complete” pictures. I am drawn towards implied images that suggest certain moods and narratives. More often than not, I will draw or paint a “complete” image then delete/erase/sand parts of it until I achieve the desired picture. I probably spend more time editing the image than actually putting it down on the panel or paper.
BEN TOUR INTERVIEW
Can you describe your process? And are the little letters that appear in some of the works from those rub/transfer sheets?
My process changes from piece to piece. With painting, I start with a sketch which is quite tight and then project it on my chosen surface with an overhead projector. I’ve played around with different techniques but find this one the easiest. For smaller scale work, I just sit down and get to work usually building the final from smaller roughs. Tradititional illustrator style. The little letters and numbers are rub-on. It’s a product that was popular for designers before computers.
My Dad actually introduced me to it as he would lay out magazines cut and paste style and have sheets of Letraset Rub-On next to the drafting table. I also remember as a kid their was similar stuff in boxes of Fruit Loops – you would get a little rub-on sheet with Toucan Sam and you could use a pencil and rub him onto paper. I’d forgotten all about the stuff and then by chance years later found a box of it, which I still have.
I totally remember those rub-on sheets in the cereal boxes! When you were a kid did you ever read those books that came with a battery-powered “pen” that had some sort of laser in it and when you put it on different colors in the book it would make different noises and light up? (This sounds totally made up, but I swear this was actually a thing!)
I don’t remember those? Sounds awesome. My parents only got the good kid cereal maybe once a month, I ate alot of Shredded Wheat and Weetabix. I like both of those cereals but they never had cool toys.
I can’t keep it secret any longer, I am extremely excited to announce the first-ever Booooooom art show, Tangents!
I have joined forces with the folks at Lifetime Collective to bring together six amazing artists for a group show here in Vancouver. November 13th. 8PM. Lifetime Space (68 5th Ave West).
Three locals, and three out of towners, all supremely talented. It is going to be an amazing show.