22.06.14 by Jeff

“Drawing On The Past”: Interview with Tran Nguyen

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Last week was the official launch of our latest project, “Drawing On The Past”. I’ve produced a special bag with my friends at Herschel Supply and we’re releasing it as part of an art project open to anyone. I would love it if you joined in on the fun; full instructions HERE.

I asked a few people to help me get things started. This gorgeous drawing above is a submission to our project by one of my favourite artists, Tran Nguyen. Enjoy a short interview with her below!

 
 

Interview with Tran Nguyen

 
 

Jeff Hamada: Maybe you could start off by describing where you are as you answer these questions! I’m sitting in my apartment here in Vancouver, listening to Brad Mehldau’s piano cover of Radiohead’s “Exit Music” and the sun is just starting to go down.

Tran Nguyen: I’m relaxing in my studio here in Atlanta, enjoying a nice cup of Yogi green tea and listening to those insanely addictive songs from Disney’s Frozen.

JH: If you wrote your own Disney movie what would the plot be?

TN: The story would revolve around two tiny nymphs, a brother and a sister, who inhabits a floating island the size of human hand.  The island is actually a flowering plant in a pot, cared for by a little boy.  The boy planted the magical seed and watered the sprouting island for many weeks, but one day, as the house cat scuttled by the window, he accidentally knocks over the plant pot tossing the brother from the island, out the window and into the backyard.  The plot will focus on the sister’s journey to find her lost little brother in an unknown world of singing songbirds, sinister garden snakes, and unexpected, unyielding courage.

JH: That sounds amazing! Maybe someone from Disney will read this and hire you. I read that you were born in Vietnam, but raised in Georgia, could you get good Vietnamese food there? When I went to Vietnam recently I was surprised by how much variety there is food-wise; so much more than just pho.

TN: Honestly, if I’m in the mood for Vietnamese food, I make a trip to my parent’s kitchen.  They make the most scrumptious and tantalizing dishes I’ve ever consumed.  Elsewhere, I’d recommend the small restaurants located on Buford Highway, Atlanta.  I think dishes other than pho are a bit too exotic for American tongues and can be an acquired taste. If you’re an adventurous eater, I’d recommend ca kho to. I love, love seafood.

JH: Was art school a good experience for you? I know for some people it isn’t.

TN: Personally, I grew exponentially when I attended SCAD. My family and I didn’t have much growing up so I felt immensely fortunate to attend a private art college. I do have a few friends that felt a bit of resentment when they graduated, but I believe your education is what you make of it.

JH: I read in a couple other interviews that your parents lived their whole lives with very little, I’d imagine that would be a good reminder that making art for a living is a luxury. Do you ever feel extra pressure to make something of yourself as an artist because of your upbringing?

TN: Absolutely. I’ve seen the hardship my family’s endured so I could never take my privileges for granted.  Because of my upbringing, it’s motivated me to find a way to help people with imagery, live to my potential, and persevere over all obstacles that may come.  I would never want to disappoint my family. They’ve sacrificed too much to bring me to the States, and cared enough to send me to an extremely expensive college, for it to be thrown away.

JH: What are some of the things influencing your work these days?

TN: These days, I’ve been heavily inspired by haute couture. I’m extremely fascinated with manipulating and constructing fabric to create abstract form, which is a subject matter I’ve been visiting recently; particularly pleated textures. As always, my concepts are focused on therapeutic imagery.

JH: I don’t find a lot of work by Vietnamese artists (at least not as much as I’d like), do you know a secret website where can I find more work by artists from Southeast Asia? If there isn’t one, there should be.

TN: Unfortunately, there aren’t many Vietnamese artists. I only know a handful and I think it’s because art isn’t respected as much as it is in the U.S., plus the market barely exists in countries like Vietnam. I hear it’s gotten better these past few years so I’m hoping for a plethora of artists from Southeast Asia in the near future.

JH: I like to end interviews by hearing about an artist’s personal goals. Could you share something you’d like to accomplish this year, and then something you’d like to accomplish in your life time?

TN: By the end of this year, I’d like to take my dad back to his hometown in Vietnam.  He’s worked his whole life and has missed out on a lot.  After working 70+ hours a week for 24 years, he deserves a long vacation. On my deathbed, what will matter most is whether I can confidently say that I’ve lived a honest life I can be proud of — something I’ve been working towards since high school.

JH: Your drawing is incredible, thanks for being a part of the project.

TN: Thanks so much, Jeff.

 

Tran Nguyen’s Website

Tran Nguyen on Instagram

 

If you would like to participate in the “Drawing On The Past” project it’s open to anyone and we’d love to have you. Full project instructions HERE.

We are releasing our very limited edition Herschel Supply and Booooooom bag to the public on July 7th at 9am. It will be for sale online HERE.

 

18.06.14 by Jeff

Herschel Supply and Booooooom: “Drawing On The Past”

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If you follow @Booooooom on Instagram you may have already seen hints about this! I’m excited to announce that my friends at Herschel Supply and I have made a special bag together and we are releasing it as part of an art project called “Drawing On The Past”.

After years of people asking if there’s anything they can buy to show support for the site, this is it! This is the first real Booooooom product (and not the last). It’s special to me for many reasons; one being that Andrea Wan, one of my all-time favourite artists, drew the pattern for the inside of the bag. Watch the video below before I give it all away!

 

 

THE BAGS

There are only 75 bags for sale, and they will go live July 7th at 9am PST on Herschel’s website, bookmark this link: here.

As a little reward for reading all this text, I’ll tell you that if you join the Booooooom Secret Email Club you will get a heads up for purchasing the bags earlier than that.

Extra incentive to take part in the project: We’ll be hooking up some people with Herschel products and three (3) lucky people, whose submissions we especially like, will win the Herschel Supply and Booooooom bag.

 

THE PROJECT

I want you to draw a person, place, or thing, that’s had a positive impact on your life, and write a few sentences about it. I’ll be showcasing these drawings on Booooooom, and sharing your stories. The project will end with an art show here in Vancouver, where we will show selected work from the project  (I’d like to show as much as we can possibly fit in the space).

I really want to encourage those of you who don’t normally draw or make art to be a part of this project. The template you download will have space to draw and to write, and both are important. Drawing has two meanings, and this project is as much about moving a pen on a page, as it is about remembering a moment.

 

THE INSTRUCTIONS

1. Download THIS TEMPLATE, print it off on any 8.5″ x 11″ paper.

2. Draw your picture, write a few sentences below it.

3. Scan the entire page and email it to: projects@booooooom.com with the subject “DRAWING ON THE PAST”. Deadline: August 4th, 2014.

4. To be eligible to be for the gallery show, you must physically mail in your original drawing. We must receive all entries by August 4th, 2014, leave enough time for shipping. Due to the number of potential submissions, drawings will not be returned. Mail your drawings to:

Booooooom
Suite 357 – 2416 Main St.
Vancouver, BC, V5T3E2

5. Share your work on Instagram and use the hashtag #drawingonthepast

 

THE TERMS

By submitting artwork, each entrant gives Booooooom and Herschel Supply a non-exclusive, perpetual, transferrable, irrevocable, royalty-free, fully paid-up license to use, and display the artwork online, offline, or in print, including but not limited to, Booooooom.com, HerschelSupply.com, and the final gallery show. Booooooom and Herschel Supply also reserve the right to not display works submitted to this project for any reason. None of the artwork submitted will be made for sale.

 

 

21.05.14 by Jeff

Hannah K. Lee

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I love Hannah K. Lee’s type work, and her latest zine “Everyone Else Is Younger And More Talented” is A+. You can snag it here. See more pages from the zine below.

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21.04.14 by Jeff

Music Video: Major Lazer “Aerosol Can” ft. Pharrell Williams

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Not really sure why you would get Mike Giant to draw with markers for a song called “Aerosol Can” but it is an excuse to watch Mike Giant draw with markers. Watch the video for Major Lazer’s “Aerosol Can” featuring Pharrell Williams below.

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26.02.14 by Jeff

“While You Were Steeping” / Geoff McFetridge

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I love everything about this little video, watch what Geoff McFetridge does while he waits for his tea to steep. Watch the video below!

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20.02.14 by Staff

Marion Täschler

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Wonderful bike drawings by Marion Täschler. See more below!

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13.01.14 by Jeff

Augustine Kofie

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Works by Augustine Kofie, one of the participating artists in this year’s Pow! Wow! Hawaii event next month. More below.

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06.01.14 by Jeff

Video Interview With Artist Andrea Wan On Her First Solo Show in Denmark

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Here’s a lovely interview with my friend, Hong Kong-born, Berlin-based, artist Andrea Wan as she prepares for her first solo show, in Denmark. Vancouver really misses you Andrea, me especially.

I love the part where she talks about the improvised stories she used to tell into a tape recorder when she was younger. Things like that can unlock ideas that are buried deep in your subconscious.

My mom kept an old journal of mine from grade 3, and when I found it a few years ago, it was hilarious to see how many of the stories were about someone getting lost. It didn’t matter if it was a boy, a snail, a knight. No matter what happened in the beginning and middle of my stories, somewhere near the end, whoever it was, they got lost. I guess it was my biggest fear at the time.

 

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Andrea Wan’s Website

via: I DO ART