Judging by the responses to the last Deadmau5 Essential Mix a fair number of you will be excited to know the latest DeadMau5 and Pete Tong Essential Mix has hit the net. Live from Warehouse Project in Manchester last week! Another incredible set by Toronto’s Deadmau5 who is taking the world by storm.
Not exactly hot on the heels of Beastie Boys Live – PART 1, but here is the next installment nonetheless. If you haven’t already grabbed Live in Australia ’99 and the Demo version of Paul’s Boutique do that first. Next up is Live in London – Wembley Stadium, also from 1999. Sound quality is the name of the game here so this is another one that is likely direct from soundboard or possibly from the feed that went out to radio.
Once again these photos were taken by Maya Hayuk, a fantastic artist whose work I am a huge fan of.
“People ask me when my tape is comin’ out yall well here it is yall and its clout!” I was gonna continue the Beastie Boys Live series and then I decided to switch things up this week and share some demo songs with you! Specifically demos from Paul’s Boutique! 12 tracks including Full Clout which is an early version of Shake Your Rump.
This album is widely regarded as Beastie Boys best work to date, and one of the greatest albums of all time. I agree with half of that statement. It is one of the greatest albums of all time, but I don’t feel like it can be considered their best work. They are simply rapping over other people’s work (in this case brilliant production from the Dust Brothers) so in that sense it’s no different than License to Ill. To me, their next three albums (Check Your Head, Ill Communication, and Hello Nasty) have to be their best work as they most accurately describe their talent as actual musicians. I personally like Ill Communication the best, feel free to disagree (just know that you are wrong).
Let’s just get to the music shall we? You probably skipped that entire paragraph anyways…
Back when I was blogging on Hypebeast I used to post live Beastie Boys concerts in mp3 every now and then. Since then I have recieved many requests from people to start doing so again. Today is your lucky day. First up is the Sydney Australia show from 1999. This bootleg is direct from soundboard I believe so the sound quality is A+.
Better be quick to grab this while it’s up and stay tuned for more, I have about 5 data discs full of concerts. The photo is courtesy of Maya Hayuk and has nothing to do with the concert but I love her work and this series of photos especially. Click “more” for the link.
You may recall I posted about Oscar & Ewan and their fantastic lasertype awhile back – well, Ewan just hit me up with a look at their latest work, the cover for the new Roots Manuva album, “Slime and Reason”. It is stunning.
I asked about the process and Ewan explained they actually had Roots Manuva 3D scanned (from every 45 degree angle) and then manipulated the 3D image to set the bowl in. Then they took their prototype to a sculptor and had a cast made. Finally they created some slime out of hand soap, filled the bowl, and Pelle Crépin snapped some photos. Boom, done.
If you aren’t familiar with Roots Manuva, it’s time you got familar! Here’s one of my favourite tracks off an older album:
Apparently we killed the hotlink file – (here’s the Zshare link!)
Last week I caught up with my friend Vince and his friend Trevor at a nice little Korean place downtown. Trevor (with the hat) and his brother Matt started an instrumental hip hop group called No Luck Club in 2000, and were quickly signed to Dan the Automator’s 75Ark Records.
Due to some unfortunate circumstances (the same circumstances that are preventing us from hearing the finished sequel to the Deltron 3030 album) 75Ark suddenly imploded just as the guys were about to relase their album. Luckily Ill Boogie Records stepped in and No Luck Club’s highly acclaimed “Happiness” album finally saw the light of day in 2003.
Their live show quickly attracted a large following and they were being compared to the likes of Dj Shadow and Coldcut, not to mention sharing the bill with the likes of Jurassic 5, and Kid Koala. Vancouver DMC champ Pluskratch joined the group and they released their followup to “Happiness”, called “Prosperity”.
Trevor didn’t ask me to post about him but this is what I do! Here’s one of my favourite tracks from “Prosperity”! If you like Ozomatli (who doesn’t?), you’ll love this!
(If that link craps out here’s the Zshare link to download the mp3!)
Last summer it was Girltalk, this summer it’s all about The Hood Internet. I actually paid for the second Girltalk album (what was I smoking?) and nearly had a brain hemorrhage when he started cutting up Avril Lavigne. What happened to mixes that actually maintained a flow and actually let a track breathe for a bit? I guess everyone and their helper monkeys are mash-up djs now but The Hood Internet are legit – I mean they got a mixtape with all mashes of Lykke Li songs! I have linked a few of their mixtapes (Grab the Chicago one, thank me later.) And yes, they let the blends last for longer than 3.14 seconds.