16.10.12 by Jeff

“Time To Go” stop-motion animation

Wax Tailor feat Aloe Blacc Time To Go stop-motion animation
Darcy Prendergast and Seamus Spilsbury created this amazing animation for “Time To Go” by Wax Tailor and Aloe Blacc. It’s so well done that I was convinced parts of it were CG, but Darcy assured me over Twitter it’s all stop-motion. The crochetted creature’s little adventure was shot over the course of three and a half months (six days a week, 12-hour days). Watch below!

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Jeff
Jeff Hamada is the Founder and Editor of Booooooom. He lives and works in Vancouver.



  • 0981

    beautiful stopmotion, nicely made for sure.
    End feels very sad though… 





23.08.16 by Jeff

Illustrator Spotlight: Rune Fisker

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A selection of work by Danish illustrator Rune Fisker. More images below.

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23.08.16 by Jeff

Illustrator Spotlight: Jee-ook Choi

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A selection of work by South Korean illustrator Jee-ook Choi. More images below.

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23.08.16 by Staff

Artist Spotlight: Jordan Kasey

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A selection of paintings by Brooklyn-based artist Jordan Kasey. More images below.

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23.08.16 by Staff

Illustrator Spotlight: So PineNut

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Illustrations by So PineNut (click here for previous post). More images below.

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23.08.16 by Staff

Experimental Artist Petros Vrellis Creates Detailed Portraits With A Single Thread

 

Born in Greece, with a background in Electrical Engineering as well as Art Science, artist Petros Vrellis has a passion for creating interactive installations that blend art and technology. His latest project is a mesmerizing re-imagining of traditional handicraft.

Using a 28″ aluminum-rimmed loom, Petros runs a single thread from one anchor peg to another to create just the right density and darkening at precise intersections. The end result is a detailed image that emerges from 3000 – 4000 continuous loops (or 1-2 kilometers of thread)!

While Petros is following a set pattern developed from a computer-generated algorithm, as you can see in the time-lapsed video above, the step-by-step process is all done by hand. We had the chance to speak with Petros about his experimental process and why hand-made work still has a place in the digital age. Check out the full interview below!

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