A series of tableaus playfully critiquing the imprecise administrative eye of law and regulation by Toronto-based artist Hudson Christie (previously featured here). In “Close Enough,” harmless objects are misidentified as unsafe due to their incidental resemblance to something else. See more images below.
This collection brings together work from 60+ artists and is also our biggest volume yet: 276 pages, and for the first time, in a larger format.
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Explore the work of our five winners, twenty shortlisted artists, and two hundred shortlisted images selected from thousands of entries worldwide.
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