Almost in Place grew from observing how trees are organised within the city. Some are confined to square plots bordered by paving and bricks; others are discarded as branches, easily overlooked once detached from the tree.

Through temporary interventions, I combine these fragments with everyday objects and built surfaces, creating awkward arrangements in which they seem to extend, intrude or take on unexpected roles.

The photographs hold these encounters between natural and manufactured forms. Rather than proposing a genuine escape from imposed order, they allow a fleeting, playful illusion of freedom — an interruption in how things are expected to grow, function or belong.

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