Beyond social frameworks, beyond civilizations, full of feelings and emotions—this is how I see my ceramics.
My work is deeply feminine. The emotions that fill it are passion, tenderness, sensuality, and trepidation. The objects I create are asymmetrical and uneven, imbued with a sense of life and constant motion.
In my pieces, nature serves as a visualization of feelings. I draw inspiration from organic forms to convey internal states and emotions. The shapes are often visually unstable; by exploring points of balance, I search for a harmony that is never static, but always in motion.
I work using hand-building techniques, experimenting with various ways to achieve a form. I love changing my decisions in the process—following the material rather than a sketch.


Learn more here

Ceramic

Beyond social frameworks, beyond civilizations, full of feelings and emotions—this is how I see my ceramics.
My work is deeply feminine. The emotions that fill it are passion, tenderness, sensuality, and trepidation. The objects I create are asymmetrical and uneven, imbued with a sense of life and constant motion.
In my pieces, nature serves as a visualization of feelings. I draw inspiration from organic forms to convey internal states and emotions. The shapes are often visually unstable; by exploring points of balance, I search for a harmony that is never static, but always in motion.
I work using hand-building techniques, experimenting with various ways to achieve a form. I love changing my decisions in the process—following the material rather than a sketch.