Hill's latest solo exhibition, I Can See It, Can't You, signals a return to controlled studio works after a two-year long practice based in continuous travel, large-scale installations, and contrasting landscapes and languages.
These abstract works utilise Hill's signature black and white aesthetic to explore how physical structures and phrasing both control and contain experiences and memories, where reiterations of a shared event or moment are always imbued by our own detailed and varied contexts.
