It is a graphic intervention project on my family photographic archive. Through the manual use of colored pencils, graphite, i ndia ink, markers, oil or materials such as bleach or vinegar, I intervene the photographs as a way to create new realities invented from my obsession and fascination with the anomalous. Inspired by the apocalyptic vision of the Catholic Church I served for twelve years as a child and raised in a highly religious environment, I grew up disturbed by who I was because of my sexual orientation. My identity was veiled by the prejudices and guilt that religious doctrines bestow upon you. Growing up in a place filled with violence.

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