Submission Illustration

Manufactured Innocence

The feeling that the self is never entirely one’s own. Our bodies, minds, choices, and identities are shaped by forces that are rarely visible but constantly present. Family, society, cultural expectations, and even the standards we impose on ourselves each claim a part of us.
The many hands represent these overlapping influences. They hold, pull, and arrange the figure into something recognizable and acceptable.The larger figure watches in silence, suggesting an authority that has already been internalized.
As an Asian woman, I have felt this tension with particular intensity. I once questioned whether free will truly exists. My answer was no. What we experience as personal choice may already have been formed. Here, innocence is not lost. It is manufactured, then mistaken for something that belonged to us from the beginning.

Manufactured Innocence

The feeling that the self is never entirely one’s own. Our bodies, minds, choices, and identities are shaped by forces that are rarely visible but constantly present. Family, society, cultural expectations, and even the standards we impose on ourselves each claim a part of us.
The many hands represent these overlapping influences. They hold, pull, and arrange the figure into something recognizable and acceptable.The larger figure watches in silence, suggesting an authority that has already been internalized.
As an Asian woman, I have felt this tension with particular intensity. I once questioned whether free will truly exists. My answer was no. What we experience as personal choice may already have been formed. Here, innocence is not lost. It is manufactured, then mistaken for something that belonged to us from the beginning.