"I usually describe the characters in my autonomous works as 'everyday monsters.' A recurring motif of mine is placing various distorted human forms and composite creatures within an apocalyptically bleak space, interacting in mystical situations. Yet, this 'magical body horror' fails to fully unfold because an out-of-place, parodic detail disrupts the path to apotheosis and dread. The frightening imagery gains a satirical overtone, just as reality taints and reframes the meaningful moments of our daily lives.

The images simultaneously serve as an analogy for depicting a fictitious past or a pessimistic future, yet disappointingly, neither is their goal, as they reflect upon the present. This is why I call them psychological and social monsters: once their mystical foreignness fades, the monsters become pitiable figures—embodyi

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