Submission Painting

Notes from the Corner

I'm an Irish visual artist based in Berlin, working primarily from found photographs and translating them into painting. My most recent series, Notes from the Corner, centres on a single place: a Berlin bar called Zur Fetten Ecke, "To the Fat Corner," and its heavily graffitied toilet. I was drawn to it partly to capture a sense of place, and partly because strangers had photographed the same walls and shared them online, a record of marks changing over time. I've found over 200 of these photos.

My process draws on my earlier background in computer programming: structured, rule-based, almost like a manual algorithm, echoing the logic of digital image compression. Oil on canvas, handled with that same machine-like logic, each image dissected and reconstructed in paint, a puzzle-like process open to misalignment, flaw and glitch.


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Notes from the Corner

I’m an Irish visual artist based in Berlin, working primarily from found photographs and translating them into painting. My most recent series, Notes from the Corner, centres on a single place: a Berlin bar called Zur Fetten Ecke, “To the Fat Corner,” and its heavily graffitied toilet. I was drawn to it partly to capture a sense of place, and partly because strangers had photographed the same walls and shared them online, a record of marks changing over time. I’ve found over 200 of these photos.

My process draws on my earlier background in computer programming: structured, rule-based, almost like a manual algorithm, echoing the logic of digital image compression. Oil on canvas, handled with that same machine-like logic, each image dissected and reconstructed in paint, a puzzle-like process open to misalignment, flaw and glitch.