My work is rooted in appropriation, drawing from a wide range of visual sources that I carefully organize into dense, layered compositions. I often use maximalism and psychedelia as tools to construct a "collage" where fragments of appropriated images coexist, overlap and sometimes clash. Through this process, I explore themes such as eroticism, mysticism, and multiculturalism, approaching them through the lens of superficiality and artificiality.

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