Despite the fact that this story is more decorative in nature, it still contains elements and symbols that go from work to work and narrate the plot, thus continuing the general series.
The main protagonist here are houseplants, whose presence in the human dwelling can be interpreted as a symbol of comfort, as a symbol of its connection with nature.
In turn, I take this symbol to the street, sometimes placing the most utilitarian objects on the walls, and thereby hyperbolize it on the street scale.
Plus, this entire story is complemented by a visual effect, based on the aesthetics of ragged street ads.
