SINS explores the psychological architecture of human desire, contradiction, and moral ambiguity. Rather than illustrating the seven deadly sins, the series investigates the emotional and cognitive states that precede them—longing, fear, obsession, denial, and the tension between impulse and self-control. Working through abstraction, I reduce narrative to gesture, structure, and material, inviting viewers to confront the complexity of human behaviour without fixed interpretation. SINS is not about judgement, but about recognising the fragile space where vulnerability, instinct, and choice intersect.

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