Much of Connor’s work appears as large frescos on linen that borrow from the renaissance, religious art, film, minimalism & constructivism in which figures live in imposing brutalist landscapes and art galleries. Figures, often reclined, interact with imposing minimal forms or are bound by objects of restriction, such as chains.
Emerging from Connor’s background in philosophy, his main body seeks to depict the human perspective in conversation with sublime experience. Works resemble theatrical stages on which figures interact with their own existential condition, limitation & invisible forces.
