Submission Painting

Whit No Paternal

History, even in its own imagination, never conceived that things would continue for so long as to return to repetition and re-reading, and we, looking back at the path already trodden in our strained contemporary relationships, are adrift between truth and this distorted spectacle. Fictitious smiles are merely a sign of the eternal suffering that humanity relentlessly hammers onto the wall of its existence. This historical silence is our narrative of lies and absurdity; a place where doubt is the deepest form of bond between us.
Shahgol Safarzadeh

Whit No Paternal

History, even in its own imagination, never conceived that things would continue for so long as to return to repetition and re-reading, and we, looking back at the path already trodden in our strained contemporary relationships, are adrift between truth and this distorted spectacle. Fictitious smiles are merely a sign of the eternal suffering that humanity relentlessly hammers onto the wall of its existence. This historical silence is our narrative of lies and absurdity; a place where doubt is the deepest form of bond between us.
Shahgol Safarzadeh