I misuse copiers and fax machines to extract pseudo-primitive technological artifacts from ordinary office invoices.
Broken free from the constraints of functionality, the resulting “copies” coexist both as documentation of an artist’s movements suspended in time, and as the perceptive ephemera of an occult landscape undulating in xerographic transmutation.
In the spirit of the Gutai, the boundaries of selfhood are abandoned to the physicality of procedure, wherein pure, numinous multiplicity is embraced.
