02.11.09 by Jeff

Ben Tour / Interview

This is the first of six mini interviews, featuring the artists in our Tangents art show. First up is Ben Tour!

 

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BEN TOUR INTERVIEW

 

ben tour tangents art show vancouver booooooom

Can you describe your process? And are the little letters that appear in some of the works from those rub/transfer sheets?

My process changes from piece to piece. With painting, I start with a sketch which is quite tight and then project it on my chosen surface with an overhead projector. I’ve played around with different techniques but find this one the easiest. For smaller scale work, I just sit down and get to work usually building the final from smaller roughs. Tradititional illustrator style. The little letters and numbers are rub-on. It’s a product that was popular for designers before computers.

My Dad actually introduced me to it as he would lay out magazines cut and paste style and have sheets of Letraset Rub-On next to the drafting table. I also remember as a kid their was similar stuff in boxes of Fruit Loops – you would get a little rub-on sheet with Toucan Sam and you could use a pencil and rub him onto paper. I’d forgotten all about the stuff and then by chance years later found a box of it, which I still have.

I totally remember those rub-on sheets in the cereal boxes! When you were a kid did you ever read those books that came with a battery-powered “pen” that had some sort of laser in it and when you put it on different colors in the book it would make different noises and light up? (This sounds totally made up, but I swear this was actually a thing!)

I don’t remember those? Sounds awesome. My parents only got the good kid cereal maybe once a month, I ate alot of Shredded Wheat and Weetabix. I like both of those cereals but they never had cool toys.

ben tour tangents art show vancouver booooooom

I notice on your site you describe yourself as a painter and an illustrator, do you think there are negative connotations that come from being labeled an illustrator?

No. But I understand what you mean. Illustration by definition is visual matter used to clarify or decorate text. It’s a structured job, and I think because of that it doesn’t always get the respect it deserves. Fine artists have always borrowed from illustrators and vice versa. My favourite artists have always been illustrators and comic book artists. What I try to do now is bend and borrow illustration techniques and conceptual process to showcase it as fine art.

Who was your favourite comic book artist growing up? And what about now?

I had a lot of faves growing up and as I got older my taste changed and developed. My first comic book love affair was Uncanny X-Men, I started around 211, which I got as a Halloween present while Trick or Treating. After that it was over. Mark Silvestri, Jim Lee. I tried to beg, borrow and steal as many Marvel comics as I could. Frank Miller, Ron Lim, Arthur Adams, Todd McFarlane, Sam Kieth. Mike Mignola, Walter Simonson. Then Havoc/Wolverine ‘Meltdown’ came out – it was a mini series of graphic novels painted by John J. Muth and Kent Williams. It was different than anything I had  seen before and made me interested in painting as the art was so raw and ‘Drippy(?)’.

After that I discovered ‘The Beguiling’ which is an amazing comic book store in Toronto, I got heavy into into ‘alternative’ comics and stuff like ‘Love & Rockets’ and ‘Ed the Happy Clown’. I was big into Moebius, Bill Sienkiewicz and Heavy Metal. Nowadays I’m more into guys like James Jean and Ashley Wood. I’ve skimming the surface on this topic. I’m a fucking dork.

Yeah I was really into Silvestri and Jim Lee, X-men, WildC.A.T.S., Cyberforce. And Sienkiewicz is one of my favourites, Elektra Assassin and his Jimi Hendrix book are amazing. Are the figures in your work based on people you know?

I use alot of photography in my art and sometimes I get friends to pose for portraits. Many of the references I use are found images.

What do you like to do for fun?

Fun? I’m pretty busy these days to be honest. I hang out with my family, I go to the beach or on hikes. I’m a dad so i usually do fun stuff with my son. He keeps me out of trouble. I think its commonly referred to as getting old.

ben tour tangents art show vancouver booooooom

This website is the closest thing I have to a child (insert sad music). Are there any good kids shows on tv? And what about the computer, is he on there a lot? I think it’s weird that kids are all learning how to type on a keyboard when I was just drawing or playing with lego at that age.

My kid is still really young, but I don’t underestimate how much he absorbs through TV and the computer. He’s not really into TV at the moment and that’s a good thing. I did check this out with him.

I was gonna say that Yo Gabba Gabba looked like the only show I’d have my kid watching! Do you want to end the interview with a quote?

“Thanks Jeff”.

 

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If you are in Vancouver on November 13th, come out to Tangents and meet Ben in person!

Join the Facebook Event, and tell everyone you know!

See more of Ben’s work, here.













Jeff
Jeff Hamada is the Founder and Editor of Booooooom. He lives and works in Vancouver.



  • nice interview. look forward to the rest.

  • Yoshi

    I used to have one of those books that came with a battery powered pen… I think I had a whole series of them… but I don’t think it operated on colours, I think there were barcodes in the pages, or something. They were awesome though.

    • yea my memory is a little hazy on them but i think we’re talkin about the same thing – i really want to find one now!!!

  • rye

    what a swell guy! he seems super chill and nice from that interview. the thing i love about ben tour is he has such a distinct style. i mean from a stand point of someone who doesn’t really delve deeply into art and look at paintings a lot i can always recognize his work. perhaps to some thats not such a compliment but i really appreciate that about his artwork. nice interview jeef

    btw. that ^ comment reminds me of those battery powered pens that vibrated so when you wrote it looked like you were rolling down a hill in a zorb, or had Parkinson’s. what the point of a pen you only write squiggly with with…. i do not know.

  • he has a very distinct style and i think that is totally a compliment – if you imagine how many people are drawing faces all over planet earth, to put your stamp on the style of an eyeball or the proportions of a face and have people recognize it and attribute it to you, is quite something

  • Pingback: Tangents Interviews | Say Mayday()





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OURO Collective – photo by Teppei Tanabe

 

This week Vancouver-based dance collective OURO is debuting their first full-length show “Tangent” at the Orpheum’s Annex theatre (May 25th/26th), and we are proud to be a media partner for the event. If you’re looking for some creative inspiration come check this out, we’ll be at both shows! Tickets are going quick, so if you’re interested get tickets HERE!

Yesterday we shared a clip of OURO’s rehearsal footage (watch here) and today we have an interview with Kutcorners, who created three original tracks for “Tangent”. The New Zealand-born, Vancouver-based producer is one half of LIVE EVIL, the guys that made all those amazing live mixes we featured over the years (watch one here). You can stream or download the music Kutcorners created for OURO on Spotify, iTunes, and Bandcamp.

 

Vancouver producer, Kutcorners – photo by Hana Pesut

 

Jeff Hamada: How would you describe the music you make?

Kutcorners: This is always a hard question, because I actually like to make many different types of music. But ultimately things under “Kutcorners” usually are a derivative of R&B music, old or new, with a twist.

I sometimes say I make “pop” music, but my music isn’t really that popular in the traditional sense. More like “pop art” really.

Jeff Hamada: I like the idea that it’s pop art. Who are some of the artists influencing you right now?

Kutcorners: Mura Masa, Toro Y Moi or Les Sins, Caribou, Dj Dahi, Knxwledge, Pomo, Kaytranada, U-Tern (Oliver), Nosaj Thing, Prince and MJ will inspire me forever.

 

If you don’t have Spotify you can listen to the tracks here.

 

Jeff Hamada: Had you ever collaborated with dancers prior to this project with OURO?

Kutcorners: No, this is the first time and I hope to do more of it.

Jeff Hamada: That would be cool to see an on-going thing. How would you describe the work that they’re creating?

Kutcorners: I would describe it as a melange of disciplines coming together to form a modern take on traditional dance performance. It’s very refreshing and inspiring work.

Jeff Hamada: Can you talk a little bit about the experience of watching their rehearsals and then turning that into sounds?

Kutcorners: Well, we talked a lot about sounds they like when they rehearse, which gave me inspiration to draw from idea I had started already, and also on some new arrangements.

Getting people to describe sounds they like can be quite hard, because people hear sounds and articulate them differently from person to person. It’s fun to hear how we all describe the sounds we like and how they affect movement.

 

 

Jeff Hamada: Did this experience offer any sort of new perspective on your work?

Kutcorners: Yeah, it showed me that I make movements in music too quick! It’s more effective to use little sounds and build things slowly rather than to cram everything in to a 3-minute song.

Dance is very much related to how music works and why it’s made. In retrospect, I would have benefitted from dancing more in my life. It really helps connect you to the physical side of music, which is so important when creating it.

Jeff Hamada: What things are you working on now?

Kutcorners: I’m working on making more original music for my own releases, which I plan to put out on record and online. Working with singers too, to help bring these instrumentals to life.

 

Kutcorners on Bandcamp

Kutcorners on Soundcloud

Kutcorners on Instagram

OURO Collective Website

OURO Collective on Instagram

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While encouraging positivity, possibility and a safe space for people to come together, The 14th Factory is exactly that — a call to action that doesn’t shy away from provoking a response (or at least an Instagram photo). One installation is an exact replica of the iconic room from 2001: A Space Odyssey, while another is filled with 300 pitchforks hanging from the ceiling above the guests!

Check out more images from the project below or on display at 440 N. Ave 19 Los Angeles, California until May 31.

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