04.11.09 by Jeff

Kenichi Hoshine / Interview

Here’s Tangents interview #2! Presenting the incredible Kenichi Hoshine, who caught a lot of attention awhile back collaborating with James Jean on Polite Winter.

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KENICHI HOSHINE INTERVIEW

kenichi hoshine tangents art show interview booooooom

Where are you living these days?

I’m living and working in Brooklyn, NY.

How much of Brooklyn is there in your work?

I moved here in March of this year so I can’t say that there is much of Brooklyn in my work. I don’t think my environment affects my work too much.

You have an interesting way of veiling an image, covering elements with a wash. Can you tell me a bit about your process and the way your style has evolved into what it is now?

Most of my work you have been seeing lately have layers of beeswax over them. I have always found images that are obscured or fragmented to be more interesting than “complete” pictures. I am drawn towards implied images that suggest certain moods and narratives. More often than not, I will draw or paint a “complete” image then delete/erase/sand parts of it until I achieve the desired picture. I probably spend more time editing the image than actually putting it down on the panel or paper.

kenichi hoshine tangents art show interview booooooom

Do you ever find it hard to know when to stop working on an image? I find it especially easy to over-work something when it’s digital. You used the word “delete” so does this mean you’re on the computer a little bit?

I shouldn’t have used the word “delete” to answer your question. I don’t use a computer to make my paintings. It’s all “analog”. It is quite difficult to know when a work is finished, or at least “feels” finished. Often times I will take a piece that I think is finished and I will lean it against a wall for a week or two. I will walk through the room and steal quick glances at it or at times I will scrutinize it for 10 or 15 minutes. I may tweak little things here and there during this “aging” process. But the week or two that goes by helps me “make peace” with a particular work and allows me to come to a conclusion that it is indeed finished.

Are you influenced by other contemporary visual artists?

Lately I have been looking at more photographers than painters. Just to name a few: Uta Barth, Hiroshi Sugimoto, members of the VII photo agency, Alec Soth, etc.

Some of the elements in your paintings look like found photography, do you hunt down vintage portraits and things like that?

Back when I was in school, I used to visit countless antique shops and thrift shops to look for old photographs that family members have discarded or sold through the years. I would collect old Polaroids and antique “cartes de visite”. But lately I have been using my personal photographs as a basis for some of my paintings. Photography has always been a serious hobby of mine.

kenichi hoshine tangents art show interview booooooom

I know for some people the process of making work is a struggle, do you enjoy the process of making your work?

There is nothing more depressing/gut-wrenching/maddening than making a bad painting or botching a good one. All artists go through this. That being said, on the flip side of that, it is quite exhilarating to be able to produce work that you are happy with. So I guess I have to say that I do enjoy the process of making my work quite a bit.

What do you do to relax?

Battlefield 1942 for the PC.

What kind of music are you into?

Some stuff I listen to: Will Oldham, Dirty Three, Explosions In The Sky, Iron and Wine, Mitch Hedberg, Mogwai, Drive Like Jehu, etc. I also like to keep the tv on in the background when I work. It’s usually on the Travel Channel with Anthony Bourdain: No Reservations or Bizarre Foods with Andrew Zimmern on loop.

kenichi hoshine tangents art show interview booooooom

It’s funny to picture you painting a ghostly portrait of someone while Mitch Hedberg is talkin’ about how much ducks love bread. If I came to visit and I tricked you into spending the day with me, where would we go for breakfast, lunch, and dinner? What are your favourite spots?

Breakfast (brunch) – I would want to take you to Buttermilk Channel here in Brooklyn. They have a wonderful brunch that is southern American / comfort food.

Lunch – An ideal lunch would involve a great bowl of pho with shrimp summer rolls and a cup of Vietnamese coffee at the end. There are a bunch of great Vietnamese restaurants in Chinatown.

Dinner – A fat, rare portherhouse steak at Peter Luger’s in Brooklyn.

kenichi hoshine tangents art show interview booooooom

Note to self: trick Kenichi into hanging out! Do you wanna end the interview with a quote?

“I want to hang a map of the world in my house, and then I’m gonna put pins into all the locations that I’ve traveled to. But first I’m gonna have to travel to the top two corners of the map so it won’t fall down.” – Mitch Hedberg

If it’s ok with you, I’d like to plug these 2 sites:

http://www.jcacciolagallery.com
http://www.etsy.com/shop/beautia

Thanks for everything!

Thanks Kenichi!













Jeff
Jeff Hamada is the Founder and Editor of Booooooom. He lives and works in Vancouver.



  • you have to see Kenichi’s works in person. the layers of wax over the pieces in the show are more than an inch thick. incredible stuff

    • Rebeca

      an inch!? and it doesn’t peel off?

  • Hey, nice stuff, very interesting

  • Savannah

    Jeff, what kind of materials is Kenichi working with here?

  • I love how these make you feel like you’re looking at a scene but your own vision is clouded. It gives it a very intimate feeling, it takes experiencing the pieces to another level.





24.05.17 by Jeff

Ticket Giveaway: Canal180’s 8-Day Creative Camp in Portugal

180 Creative Camp is an 8-day media arts academy hosted by Canal180 in Abrantes, Portugal, from July 2nd to 9th. The event provides a unique environment for participants and invited artists to exchange experiences, learn and create together. I’ll be headed out there to do a talk at the camp and more importantly hang with the participants. It’ll be my first time to Portugal so I’m looking forward to exploring Abrantes as well.

Tickets are still available! Also if you happen to live in Abrantes I believe there are special terms for you to participate. Head over to 180.camp for more info and to see the list of speakers and workshops announced so far (more on the way).

Now for the really good news, we have a full package ticket (350 € value) to give away to one of you, which includes participation in the 8-day camp, accommodations and food. All you have to do is share a link to your website or Instagram in the comments below. Click the link below and scroll down to the bottom of this post and use the Disqus comment widget. We’ll pick a winner in two weeks! Good luck.

 

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24.05.17 by Staff

Artist Spotlight: Noel Badges Pugh

Love the line work in these drawings by artist Noel Badges Pugh. See more images below.

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Photographer Spotlight: Chris Coyle

A selection of work by photographer Chris Coyle. More images below.

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24.05.17 by Jeff

Call For Submissions: Aint-Bad No. 12

Laura Pannack

 

Aint–Bad Magazine is looking for submissions for issue No. 12! Their goal is to put your best work in front of a crew of 15 curators from around the world (myself included). With each curator selecting two photographers, a total of 30 photographers will be feature (and interviewed) for the final printed publication of the best contemporary photography out there today.

While there’s no specific “theme” for this issue, you may wanna explore Aint–Bad’s archives or look at the images below to get a sense of the imagery they’ve showcased in the past. If you think your work might be a fit and are interested in submitting, head over here.

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23.05.17 by Jeff

Akira Covers for Epic Comics

Came across this great archive of Katsuhiro Otomo’s art and put together a little selection of my favourite Epic Comics Akira covers. More images below.

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