27.12.13 by Jeff

Paul White

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Coloured pencil drawings by Paul White. Melbourne, Australia. More below.

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Jeff
Jeff Hamada is the Founder and Editor of Booooooom. He lives and works in Vancouver.



  • Thomas Witte

    Beautiful landscapes! Love the cropping. Super satisfying to look at these drawings. Thanks

    • ya i like the landscapes the best, sometimes tons of technical detail can feel really empty

  • www.artzila.com

    These are amazing!

  • Jack

    true, but some part of me thinks that this series needs both, the technical intimacy of the human creation works well with the openness of the desert, both have a nice sense of loneliness





27.04.17 by Staff

Illustrator Spotlight: Keith Rankin

Another batch of surreal illustrations by Keith Rankin (previously featured here). See more images below.

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27.04.17 by Staff

Photographer Spotlight: Ki Choquette

Photos by Massachusetts-based photographer Ki Choquette. More images from “42°19’25.3″N 72°20’52.7″W” below.

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27.04.17 by Staff

Artist Spotlight: Seth Armstrong

New paintings by Los Angeles-based artist Seth Armstrong. Click here for previous posts. His new show “Pretty Deep Shit” opens at Thinkspace Gallery on Saturday! Definitely go check this one out if you live out that way. More images below!

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27.04.17 by Jeff

Photographer Spotlight: Mark Kushimi

Here’s a selection of photos by Honolulu, Hawaii-based photographer, Mark Kushimi, who happens to be the editor-in-chief/co-founder of one of my favourite publications, Contrast Magazine. The image above is from a beautiful series where he turns his Hasselblad on a tripod during the exposure. Have a look at more of his work below.

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26.04.17 by Jeff

Sculptures by Jaime Pitarch Strip Everyday Objects of Their Functionality

Subject, Object, Abject (2006) – Chair, wooden shavings from chair legs

 

I’m obsessed with these sculptures by artist Jaime Pitarch that I came across on the Spencer Brownstone Gallery website. The Barcelona-based artist explores our relationship to household objects by making subtle and not-so-subtle alterations rendering them completely useless. He says the works have “to do with the human being’s inability to identify with the structures he himself has created”.

Have a look at more images below.

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