My practice engages with two central bodies of work: paintings of museum spaces mediated through digital interfaces, and images of human figures drawn from my own photographic archive. Across both, I examine how acts of looking are fragmented, displaced, and reassembled through digital mediation, taking form in direct relation to the painting surface as an active material. In recent decades, as the encounter with art has shifted from the embodied space of the museum toward hybrid and screen-based experiences, I construct images from screenshots of virtual tours, recomposing discontinuous viewpoints into unstable spatial configurations that hover between coherence and collapse.

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