My practice moves between painting and printmaking, exploring how images are formed, transformed, and preserved through different materials and processes. Working with existing images, objects, and spaces, I examine the relationships between representation and physical experience, presence and absence, memory and material trace.

My work develops through an ongoing dialogue between image and surface, often involving processes of transfer, imprinting, and layering. Rather than following a single subject or method, I allow each body of work to emerge from a different encounter with an image or material.

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