My work delves into the ways we experience our most personal images. How do we hold them, alter them, imagine or escape them? Why do we revisit them over and over again? I explore my own memories, the collective memories of my family, and worlds I have created.

With heavy influence from photography, I point to the role of image as storyteller, collector, historian, and deceiver. Through depicting objects such as photographs, televisions, and digital images, I illustrate the changing state of the reproduced image, and its exponential influence on our perceptions. While looking discerningly at the past, I also imagine possible futures - painting dilapidated buildings and post-apocalyptic ruins. This body of work teeters on the edge of contemporary decay and future destruction.

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