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Crowded Fields: New Work

When I started this series in late 2017, I just thought I’d give photogrpahing sports a try. Now, after a year and a half of taking pictures of sports from polo to driving, I’m still fascinated by the body in motion and the strangeness of time (although I’m sick of watching college sports!).

To make the compositions, I put my camera on a tripod, take up to a thousand pictures, and compile selected figures into a final photograph that is kind of a still time-lapse. I change nothing—not a pixel. I simply select what to keep and what to omit. It all happened precisely as you see it, just not at the same time.


http://pellecass.com

Crowded Fields: New Work

When I started this series in late 2017, I just thought I’d give photogrpahing sports a try. Now, after a year and a half of taking pictures of sports from polo to driving, I’m still fascinated by the body in motion and the strangeness of time (although I’m sick of watching college sports!).

To make the compositions, I put my camera on a tripod, take up to a thousand pictures, and compile selected figures into a final photograph that is kind of a still time-lapse. I change nothing—not a pixel. I simply select what to keep and what to omit. It all happened precisely as you see it, just not at the same time.