These images explore colour as a primary point of entry rather than a secondary attribute. Across different places and contexts, colour appears through reflection, surface, fabric, skin, foliage, and architecture, shaping how each scene is perceived before it is understood. The photographs move between abstraction and figuration, using colour to compress space, distort form, or isolate gesture. Rather than describing events, the images rely on chromatic relationships to guide attention and emotion. Together, they form a quiet observation of how colour alters memory, atmosphere, and the way reality is visually constructed.

Learn more here