My paintings are emotionally-based psychological narratives where the details lie in planes of color. I choose to exaggerate color, in a sense break up a color field into its constituent colors, directing the viewer to particular areas by applying juicy bits of heavily saturated color. I strive to capture emotional states more than anything else, purposefully laying strokes down to create the illusion of an outer physical topography that houses an inner one of the soul. Though it is a cerebral concept that motivates me, the process of painting is superior to all else. Once I begin a painting, my interaction with the panel takes on a life of its own; it transcends whatever I can actually say about the painting once it is finished.