January 22 - February 21, 2026

Imagination is the capacity, and the precondition, for producing and decoding symbols. Images, like writing, allow experience to survive its immediacy and reappear in altered form, becoming persistent, portable, and legible through processes of encoding and decoding.

This series explores these conditions at the edges of the image, working with personal subjects and natural surroundings. Duration enters the still image through parenthood, motion re-encodes the path of a stream, repetition draws video toward stillness, and fragments of childhood photographs bring the past into the present.

I am drawn to lens-based work for its apparent closeness to the world, yet its operations reveal the shared systems that mediate experience and shape what we take the world to be. Where does the image end?

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