PNK MTH examines how women are mythologized, distorted, and circulated through male perception. The fragmented male bodies represent the anonymous gaze — intimate but detached, consuming without accountability.

Aphrodite appears beneath the figures as a rhinestoned clay form, posing a question central to the work: if the goddess of beauty existed in the digital age, would she be worshipped or exploited? The piece reflects on how a woman becomes a story told by others and how she eventually takes that story back.