Synchronicities (2022–2025) turns the overlooked edges of suburban California — abandoned vehicles, forgotten driveways, a shopping cart left against a wall — into dreamlike fields of pink and red. The infrared palette isn't film or a converted camera; it's a custom post-production process I built specifically for this work, because nothing existing could produce these colors. That authorship is the point. Through the altered spectrum, what we usually dismiss as mundane or decayed becomes strange, quiet, and alive. The series asks for a second look at the parts of the landscape we've trained ourselves not to see — and finds, in those unnoticed corners, something close to reverence.

Learn more here