I seek the human form within the ever-shifting tension between otherness and divinity.
The body I draw is not a representation but a trace of the relation between God and humankind.
I work without models, relying solely on memory, intuition, and the tactile sense of an unseen order.
In that process, the body opens toward the outside — the image begins to breathe as Zoe, life itself.

Painting, to me, is a silent theology that emerges between the world and God.
Within that silence, I listen for the voice of what has yet to be named.

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