This series visualizes the subjective experience of Alzheimer's not as medical decay, but as a structural collapse of reality. Rooted in the intimate dynamic of a mother-daughter relationship, I employ a hand-drawn "digital etching" technique to create a visual paradox: using an archival, 19th-century copperplate aesthetic to depict a contemporary mind that is rapidly erasing itself.
The imagery treats the female figure as a crumbling monument. From the daughter’s futile attempt to patch the cracks of a fracturing icon, to domestic safety dissolving into a gravitational void, the series documents the "phenomenology of loss" and the invisible emotional labor of the caregiver.

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