My work suggests the ways in which we produce new incarnations of our personalities, ceaselessly modifying and reinventing the face we show to the world, trying and untangle the processes by which we transform ourselves, giving rise to a face that no longer belongs to us, or that, perhaps, is more like us than our true face.
I believe in pencil and paper, pen and ink, as a way to create a truer register of human nature than is possible through digital means.
Rather than rejecting or negating the digital, my portraits draw on and reinterpret modes of digital distortion, to unsettling and expressive effect, creating by hand in a post-digital era, resulting in something i call ‘analogue glitch’.
