Submission Illustration

‘Where the light wont find you’

When I was in school, maybe 10 years old, I used to draw in margins of my notebooks, filling them up with tiny doodles. Painting is something that began and never really stopped.
At the moment, my work is largely inspired by my life and the world around me.
Beautiful lighting and colors, I really like neon aesthetic and am highly inspired by the works of Gaspar Noe, Tim Burton and Hayao Miyazaki.
I am a sketchbook hoarder. I sketch as much as I can - wherever I can. The key to making any kind of art is to be observant, to stay curious. The work I produce is an extension of me, a combination of everything I’ve ever done, everybody I’ve met and everywhere I’ve been.
My tone of work is often described as dark and edgy, but it also brings a great deal of warmth. I also enjoy the unusual range of commissions my work attracts.

‘Where the light wont find you’

When I was in school, maybe 10 years old, I used to draw in margins of my notebooks, filling them up with tiny doodles. Painting is something that began and never really stopped.
At the moment, my work is largely inspired by my life and the world around me.
Beautiful lighting and colors, I really like neon aesthetic and am highly inspired by the works of Gaspar Noe, Tim Burton and Hayao Miyazaki.
I am a sketchbook hoarder. I sketch as much as I can – wherever I can. The key to making any kind of art is to be observant, to stay curious. The work I produce is an extension of me, a combination of everything I’ve ever done, everybody I’ve met and everywhere I’ve been.
My tone of work is often described as dark and edgy, but it also brings a great deal of warmth. I also enjoy the unusual range of commissions my work attracts.

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