My work emerges from an intuitive, physical process, each painting becoming a psychological map of its moment. I approach the canvas without a fixed plan, allowing textures, fragments, and symbols to surface from the unconscious. Layers of acrylic, marble dust, gel, and mixed media form a tactile field where shapes are both revealed and obscured, echoing the shifting nature of memory and perception. Recurring elements—eyes, openings, spirals, figures—arrive unplanned, as if the painting shapes itself. Often working directly with my hands, I let gesture and touch guide the composition, embracing chance as a collaborator. For me, painting is about making the unspoken visible—tracing signals, ruptures, and absences that define inner experience, and inviting the viewer into their own act of looking and remembering.