“I see the relation between individuals and their environment evolving into a process of exchange of abstractions and symbols, while the details of reality concealed beyond become rejected and gradually begin to vanish. Plots we communicate are constructed using primitive shapes describing mundane, sometimes surreal, scenes. Neither items, nor full bodies inhabit contents we aim to retell anymore - a movie is described as a work of a famous director whose name one is unable to recall, nor is it deemed relevant, yet there was a red car in it. Subjects become transparent, some surroundings go missing, visible bodily parts are distorted, storylines acquire magical quality.”

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