My work is an exercise in visual assemblage where historical photography, mask iconography, nature, and everyday objects converge. I understand the appropriation and reconfiguration of imagery not merely as a technical resource, but as a critical language to explore identity through juxtaposition.

I work primarily with acrylic, a medium whose immediacy and fluidity enhance the intuitive nature of my process. I value the chromatic accidents and unforeseen textures that emerge during creation; far from correcting them, I integrate them as narrative elements, allowing the piece to evolve organically.

Through this recontextualization of patterns and symbols, I seek to awaken a curious gaze in the viewer that bridges the everyday with the extraordinary, inviting them to question their own perception and construct a parallel reality

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