Faisal Shapnil is a self-taught early-career visual artist who is based in Bangladesh. For this artist, the state of practicing various visual languages has been prevailing for around ten years. In the search for one's own artistic entity, those years passed just with an ambition which results out as the world of deformation by manipulating captured images. Deforming an area or a shape into Cosmos or a Sea, or deforming the face of a child, keeps lighting my artistic establishment as if we only deform ourselves internally to form? Conceptual abstraction is the essence of my artistic imagery, which is portrayed through Beyond, Ripped to the Bone, "Antichrist," Lobotomy, and so on.

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