04.10.11 by Jeff

Remake Submissions / Part IV

ovid by rodin

“The Metamorphoses of Ovid” remake by John Naccarato

ovid by rodin

“The Metamorphoses of Ovid” by Aguste Rodin

lennon and yoko

“Lennon and Yoko” and “Creation of Adam” remake by Carson Nevada

lennon and yoko

“Lennon and Yoko” by Annie Leibovitz

umbrellas by christo

“Umbrellas” remake by Tate Foley

umbrellas by christo

“Umbrellas” by Christo

goya filiation

“The Filiation” remake by Olivia Callender

goya filiation

“The Filiation” by Goya

Portrait of Battista Sforza

“Portrait of Battista Sforza” remake by Erica Nelson

Portrait of Battista Sforza

“Portrait of Battista Sforza” by Piero della Francesca

banksy home sweet home

“Home Sweet Home” remake by Elizabeth Sarah

banksy home sweet home

“Home Sweet Home” by Banksy

Bicycle Wheel - Marcel Duchamp

“Bicycle Wheel” remake by Thomas Albdorf

Bicycle Wheel - Marcel Duchamp

“Bicycle Wheel” by Marcel Duchamp

Arrangement in Grey and Black: The Artist's Mother

“The Artist’s Mother” remake by Roxana Azar

Arrangement in Grey and Black: The Artist's Mother

“The Artist’s Mother” by James Abbott McNeill Whistler

gothic

“American Gothic” remake by Carmen de Reyna

gothic

“American Gothic” remake by Julie Boddorff

gothic

“American Gothic” remake by Allison Cleveland

gothic

“American Gothic” remake by David Duo

gothic

“American Gothic” remake by Glenna McMullin

american gothic

“American Gothic” remake by Megan Mitchell

american gothic

“The Rosenbergs as American Gothic” remake by Carson Nevada

american gothic

“American Gothic” remake by Jesse John Hunniford

american gothic

“American Gothic” by Grant Wood

van gogh sunflowers

“Vase with 12 Sunflowers” remake by Qi Wei Fong

van gogh sunflowers

“Vase with 12 Sunflowers” by Vincent van Gogh

une pipe

“The Treachery of Images” remake by Cine Maza

une pipe

“The Treachery of Images” remake by Sophia

une pipe

“The Treachery of Images” by René Magritte

creation of adam

“Creation of Adam” remake by Spencer Pidgeon

adam

“Creation of Adam” remake by Estefano Pilonieta

adam

“Creation of Adam” remake by Ward Swan

creation of adam

“Creation of Adam” by Michelangelo

balthus

“Therese Revant” remake by Chloe Van Overmeir

balthus

“Therese Revant” by Balthus

dora maar

“Dora Maar Seated” remake by Lujian Zeta Zee

dora maar

“Dora Maar Seated” by Picasso

francis bacon

“Study for Portrait” remake by Tanya Houghton

francis bacon

“Study for Portrait” by Francis Bacon

van gogh cafe

“Café Terrace at Night” remake by Jonathan Pruc

van gogh cafe

“Café Terrace at Night” by Van Gogh

caravaggio

“The Incredulity of Saint Thomas” remake by Stella Vula

caravaggio 3

“The Incredulity of Saint Thomas” remake by Cope Amezcua

caravaggio

“The Incredulity of Saint Thomas” by Caravaggio

arbus

“Untitled” remake by Randy Morales

arbus

“Untitled” by Diane Arbus

liz flores

“Son Of Man” remake by Liz Flores

son of man

“Son Of Man” remake by Hadas Boneh

son of man

“Son Of Man” remake by James Corbe

son of man

“Son Of Man” remake by Juan de Ezcurra

son of man

“Son Of Man” remake by Dann Ramirez

son of man

“Son Of Man” by Magritte

scream

“The Scream” remake by Bradley Nash Burgess

scream

“The Scream” remake by Petra Handin

scream

“The Scream” remake by Adam Robinson

scream

“The Scream” by Edvard Munch

 

Continue on to: REMAKE SUBMISSIONS / PART V













Jeff
Jeff Hamada is the Founder and Editor of Booooooom. He lives and works in Vancouver.







23.05.17 by Jeff

Akira Covers for Epic Comics

Came across this great archive of Katsuhiro Otomo’s art and put together a little selection of my favourite Epic Comics Akira covers. More images below.

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23.05.17 by Jeff

LG Partners With Parsons School for Design

LG is partnering with leading design institutions to provide their new 34″ UltraWide monitors to help students studying architecture and design work more efficiently. The dimensions are eye-catching at 21:9 and the design actually curves around the user, offering as much real estate for visual information as possible.

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23.05.17 by Jeff

Photographer Spotlight: Yves Marchand and Romain Meffre

A selection of images from “Theaters” by photographers Yves Marchand and Romain Meffre. More images below.

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23.05.17 by Jeff

Kutcorners for OURO Collective

OURO Collective – photo by Teppei Tanabe

 

This week Vancouver-based dance collective OURO is debuting their first full-length show “Tangent” at the Orpheum’s Annex theatre (May 25th/26th), and we are proud to be a media partner for the event. If you’re looking for some creative inspiration come check this out, we’ll be at both shows! Tickets are going quick, so if you’re interested get tickets HERE!

Yesterday we shared a clip of OURO’s rehearsal footage (watch here) and today we have an interview with Kutcorners, who created three original tracks for “Tangent”. The New Zealand-born, Vancouver-based producer is one half of LIVE EVIL, the guys that made all those amazing live mixes we featured over the years (watch one here). You can stream or download the music Kutcorners created for OURO on Spotify, iTunes, and Bandcamp.

 

Vancouver producer, Kutcorners – photo by Hana Pesut

 

Jeff Hamada: How would you describe the music you make?

Kutcorners: This is always a hard question, because I actually like to make many different types of music. But ultimately things under “Kutcorners” usually are a derivative of R&B music, old or new, with a twist.

I sometimes say I make “pop” music, but my music isn’t really that popular in the traditional sense. More like “pop art” really.

Jeff Hamada: I like the idea that it’s pop art. Who are some of the artists influencing you right now?

Kutcorners: Mura Masa, Toro Y Moi or Les Sins, Caribou, Dj Dahi, Knxwledge, Pomo, Kaytranada, U-Tern (Oliver), Nosaj Thing, Prince and MJ will inspire me forever.

 

If you don’t have Spotify you can listen to the tracks here.

 

Jeff Hamada: Had you ever collaborated with dancers prior to this project with OURO?

Kutcorners: No, this is the first time and I hope to do more of it.

Jeff Hamada: That would be cool to see an on-going thing. How would you describe the work that they’re creating?

Kutcorners: I would describe it as a melange of disciplines coming together to form a modern take on traditional dance performance. It’s very refreshing and inspiring work.

Jeff Hamada: Can you talk a little bit about the experience of watching their rehearsals and then turning that into sounds?

Kutcorners: Well, we talked a lot about sounds they like when they rehearse, which gave me inspiration to draw from idea I had started already, and also on some new arrangements.

Getting people to describe sounds they like can be quite hard, because people hear sounds and articulate them differently from person to person. It’s fun to hear how we all describe the sounds we like and how they affect movement.

 

 

Jeff Hamada: Did this experience offer any sort of new perspective on your work?

Kutcorners: Yeah, it showed me that I make movements in music too quick! It’s more effective to use little sounds and build things slowly rather than to cram everything in to a 3-minute song.

Dance is very much related to how music works and why it’s made. In retrospect, I would have benefitted from dancing more in my life. It really helps connect you to the physical side of music, which is so important when creating it.

Jeff Hamada: What things are you working on now?

Kutcorners: I’m working on making more original music for my own releases, which I plan to put out on record and online. Working with singers too, to help bring these instrumentals to life.

 

Kutcorners on Bandcamp

Kutcorners on Soundcloud

Kutcorners on Instagram

OURO Collective Website

OURO Collective on Instagram

23.05.17 by Staff

Los Angeles Warehouse Transformed into a 150,000 Square Foot Art Exhibition

British artist Simon Birch and a team of 20 collaborators have constructed an elaborate series of interconnected installations in a vacant warehouse on the outskirts of downtown Los Angeles. Covering 3 acres of space with a mix of sculpture, video, paintings and performance pieces, the exhibition is a direct response to the current political climate. A celebration of creativity, diversity and unity, Birch explains: “Given the current fragile state of the world, we need unity more than ever… and we need action.”

While encouraging positivity, possibility and a safe space for people to come together, The 14th Factory is exactly that — a call to action that doesn’t shy away from provoking a response (or at least an Instagram photo). One installation is an exact replica of the iconic room from 2001: A Space Odyssey, while another is filled with 300 pitchforks hanging from the ceiling above the guests!

Check out more images from the project below or on display at 440 N. Ave 19 Los Angeles, California until May 31.

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