In bloom (be)coming, flowers gradually lose their function as botanical images. Their identity remains faintly recognisable, yet they become something else: points of light, fleeting traces, residual images of forms that seem to be slipping out of sight. They appear as memories of flowers rather than flowers themselves, suspended between presence and absence. The images evoke a moment before perception fully takes shape, when the eye has registered something but has not yet resolved it into a recognisable form. The series explores perception as an unstable process, shaped by the tension between observation and the distortion of what is observed. What remains is
not simply the image of a flower, but the sensation of having seen, or almost seen, something that is already disappearing.

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