My artistic practice unfolds at the edges of machine vision and human gesture, investigating how technology mediates human perception and generates new forms of experience. Working across audiovisual media, I create audiovisual works that behave like sensing organisms: recording, misreading, and reinterpreting fragments of humanity through computational logic. Influenced by my training in music and philosophy, my work approaches machines as co-creative agents, as participants in a speculative, shared space of image, sound, and thought. My environments combine digital and analogue signals into fluid ecologies, where perception becomes unstable and meaning shimmers at the threshold, offering to the viewers glimpses into alternative ways of understanding themselves and the world around them.

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