Papier-mâché is often dismissed as a craft for children or limited to small decorative items, as large sculptures typically require heavy structural frameworks. Lacking traditional tools like pottery wheels or kilns, I set out to create large freestanding vessels using only air-dry paper clay and my hands. Through persistent trial and refinement, I succeeded in redefining the potential of paper clay—achieving a structural strength, monumental scale, and refined finish that transforms how this humble medium is perceived.

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