26.08.14 by Jeff

Video Profile: Artist/Illustrator Wasted Rita

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The latest episode of the interview series “Like Knows Like” features Lisbon-based artist Rita Gomes aka Wasted Rita, whose image you’ve surely seen circulating Tumblr. She is hilarious and so honest. Watch the video profile below.

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05.08.14 by Jeff

Drawing On The Past: Katie So

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The submission period for our “Drawing On The Past” project is now closed! I am rounding up all the digital submissions (there’s tons), and will post a gallery of every single one. I am also going through the work that was mailed to me for the Vancouver show, and will make an announcement about that soon. Thanks to everyone who submitted to this project, it is incredible to look at it all. I can’t wait to show you.

This drawing above is by Vancouver-based artist Katie So. She wrote:

“In the past, I didn’t always have many friends. At times, I felt the world was too much for a little girl like me. Despite that, I always had my books. They invited me in when I wanted a place to stay, and provided distraction and inspiration when I needed it most. People and places change, but those pages stay the same. I hope my book collection never stops growing.”

 

Interview with Katie So

Jeff Hamada: Let’s start off by time-traveling back to high school (maybe this is a bad idea, I don’t know how you felt about high school). You get to re-write the blurb next to your graduation photo in the yearbook, go!

Katie So: That is such a tough one! I tracked down my yearbook and at the time I wrote: “I’d like to thank all the people who think they should be thanked and all those people who actually deserve it. Thank you.” So I guess I’ve always been terrible and bitter! Today, I’d probably write something like “I hope we all dress better 10 years from now.” Or some other grumpy, disgruntled comment like, “Your best friend will leave you for another man”, which is actually a true story that I’ve been turning into a comic for the past 2 years.

JH: My friend Cam’s nickname in high school was Snake, on the last day of school he wrote a message in my grade 12 yearbook that pretty much just said: “One day you will be playing with your son and you’ll suddenly feel a bite on your leg and see something slithering back into the bushes – Snake”. I think you two would have gotten along. Would you have any reservations about making that comic if it was obviously about your friend?

KS: Well, the comic is pretty dark. It’s about a girl who meets a friend while she’s venturing through these dark woods. It’s heavily symbolic, maybe too much so. The way things were left with my “best friend” and I, I don’t think she’d even notice if I released a book about us. It’s a very strange and sad story that I think contributes to a lot of what I struggle with today. It’s a slow process to get a long winded emotional relationship on paper, but I think it’s something people might like to see. It won’t have any words either, purely visual, which is a whole new challenge I’ve got to tackle. And if she does end up seeing it one day, the worst that could happen is she’ll only end up knowing how she made me feel.

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JH: If high-school-you made me a mix tape what would be on it?

KS: Side A would be all the Motown you can think of, Side B would be Zeppelin, obviously.

JH: What was the first comic that made you wanna make your own?

KS: That’s hard to pinpoint. When I was little, my mom showed me Asterix & Obelix and my dad introduced me to these Chinese comics called Old Master Q. I read all of those over and over, and Calvin and Hobbes was always a constant so I think the desire to add words to drawings probably stemmed from those books. In school, I usually found an excuse to do a comic for projects. I made one about kamikaze pilots that was pretty dark, now that I think about it.

JH: For whatever reason our library had Asterix comics but they were always in French (Tin Tin too), so I used to just look at the pictures.

KS: Yeah, I “read” a lot of the French ones too. I had a bunch of Dragon Ball comics too, that were only in Chinese but the drawings were so great, you didn’t need to know what was being said. Making up your own story is part of the fun anyway. Growing up, I had a lot of my mom’s old Swiss children’s books. Some of them I could read, and some of them I had separate story lines that I just made up for them. Maybe that’s why I like the idea of a story without words. Leave it up to the reader sometimes.

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JH: I know the “poor me” mentality in your comics is only semi-autobiographical but is it easier to share really personal things under the guise of self-loathing?

KS: I guess making fun of yourself is kind of a sick way to deal with your problems, but I know it’s something a lot of comedians and artists do. It’s a way to remove yourself from it so that you can point and laugh at yourself instead of seriously dealing with something painful.

JH: Is it a weird feeling when lots of people re-blog (and obviously really identify with) a fairly depressing observation about life?

KS: Yeah, it took my a while to realize that people were actually reading what I was putting out there. It’s interesting to see the response sometimes. I guess it goes with any art form; the reaction to a piece may not be what you intended which can be a good or a bad thing. I made the comics to make fun of myself, and to poke fun at the emotional trouble I have sometimes. The response I got was that people everywhere were feeling the same things, which surprised me. It’s pretty easy to feel isolated in the world today. That’s why I’ve been trying to do more positive comics. I didn’t like how a lot of my followers were in a state of wallowing with me, when what I was trying to do in the first place was say, “Hey! Wallowing is pathetic! You can indulge in feeling terrible for a bit, but now get up and point and laugh at how silly you looked when you were sad.” which of course is easier said than done.

JH: There is almost a Steven Wright quality to some of your writing; it’s so good. Are there any comedians that you’re inspired by?

 

 

KS: I think I was born with deadpan diction. I guess a lot of my writing has kind of a one-liner thing going on, but my favourite comedians are all really good story tellers, like Dave Chappelle, Louis CK and David Cross. They’re able to take you through this intricate story and make you forget where you started, only to bring it back to a punchline that comes out of nowhere. I’d like to experiment with long form jokes like that.
I do have a secret notebook with stand up jokes written in them. Maybe I can turn them into comics one day.

JH: I demand to hear one of these stand-up jokes!

KS: Well, I wrote this long winded one about Netflix and how after a few consecutive episodes of a tv show, it will ask you, “Are you still watching?”. I talk about how the “continue” button just serves as a reminder of how pathetic you are, and clicking it just confirms how depressing your life really is. You’re giving up. You’re offered the chance to rethink your life and make the right choice, and nobody ever does.
I can get annoyed at it judging me like that, but now I know, if no one else, at least Netflix is checking if I’m still alright. I mean, I could have choked to death from eating while lying down, between Futurama episodes, and they’d keep playing unless Netflix asked, “Hey, are you ok?”

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KS: 
The next level would be to connect a police scanner for paramedics that’s linked to people’s Netflix accounts, I’m sure that would save many lives or at least save people from finishing LOST.
 So, when I tuck myself in at night, all sad and alone, at least Netflix will check to see if I’m still breathing. This joke has almost certainly been done already, I’m sure of it.

JH: I’ve tried to eat soup lying down several times, like I mean, with my face actually sideways. It’s really tricky. What’s something that most people don’t know about you?

KS: This might destroy my persona, but I haven’t had that many real boyfriends. Also, my longest standing crush is Jay Baruchel, thanks to Popular Mechanics for Kids.

JH: This is very revealing information. Maybe we can end this with a really deep quote to enlighten everyone who reads this far?

KS: Ok. There’s something very powerful in witnessing or taking part in a special event, and not taking a picture of it.

 

Katie So’s Website

Katie So on Tumblr

 
 

30.07.14 by Jeff

Artist Profile: Jon Burgerman

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Enjoyed this little profile on Brooklyn-based British artist Jon Burgerman. Watch “The Color of Fun” below.

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09.07.14 by Jeff

Artist Profile: Alyssa Monks

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A beautifully shot portrait of Brooklyn-based artist Alyssa Monks, leaving the city to paint and reflect on her art practice. Watch the video below.

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30.06.14 by Jeff

“Drawing On The Past”: Interview with Director Andrew Thomas Huang

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My friends at Herschel Supply and I have launched an art project called “Drawing On The Past”, and we want you to draw a person, place, or thing, that’s had a positive impact on your life. It’s open to anyone to join, and I’d be thrilled if you took part! As a little extra incentive we’ll be giving away Herschel products to some random lucky people just for submitting to the project! Get the full instructions HERE.

This drawing above is a submission to our project by one of my favourite directors, Andrew Thomas Huang (I’ve featured his work many times).

He wrote: “This is one of the first creatures I invented when I was about 8 years old. It doesn’t have a name, but runs in the desert with the body of a kiwi, a honking nose and ram horns. This was special because it was one of the first characters that felt very real to me, and gave me confidence to keep drawing. This is my first re-imagining of the creature in 21 years.”

 

Interview with Andrew Thomas Huang

 

Jeff Hamada: Let’s start off with maybe the most important question of all, we get to eat one breakfast, one lunch, and one dinner in L.A., where do we go?

Andrew Thomas Huang: Breakfast: Bea Bea’s in Burbank – hands down best french toast on Earth. No joke. Lunch: Larchmont Wine & Cheese sandwich shop. Dinner: Korean BBQ place in Koreatown called Soot Bull Jeep.

 

 

JH: I was trying to explain to someone the unique look that has sorta become your signature. You’re able to use computer generated images but have them still feel very tactile, very real. Is it fair to call this your style? Do you feel like you’re speaking with your own voice now?

ATH: I’m very cautious not to pin myself to a particular style, as that can stagnate a director’s career very quickly. Though I suppose I have married myself to certain ideas and philosophies about how I want things to move in my films, and I am more interested in advancing various thematic threads in my work but with different techniques, including more straight live action as well. Short answer is yes, I am speaking with my own voice now but that voice is constantly changing as I change.

JH: Did J.J. Abrams want you to come work for him right out of school?

ATH: He encouraged me to direct and welcomed me to become part of the Bad Robot family, which involved pitching to him and/or working as a PA at the company. This was back in 2007.

JH:  I read that it was your short film Doll Face that got him (and many people on the Internet) excited about your work. Will we see any long form work any time soon or are you still mostly interested in shorts?

ATH: Long form work yes, but not any time soon. I am booked some big jobs for the next year which are very exciting but still in short form world. I am currently outlining a feature which is more of a long term project.

JH: I’m guessing a lot of these big jobs will be secret at this point, but is there anything you’ve already been working on that we should look out for in the future?

ATH: For 2 years now I’ve been meaning to make a sort of sequel to my short film Solipsist, but something much darker and metallic. I’m done with colorful psychedelic rocks and sandy stuff. That project will realistically take another two years, but I have some other exciting stuff brewing that unfortunately I have to keep quiet about, but I’ll just say keep an eye out for March 2015.

 

 

JH: Solipsist was actually the first thing I’d seen of yours and it blew my mind. I’d love to see a sequel. Who are some other filmmakers that people should be watching that are perhaps flying a little under the radar?

ATH: (Some not necessarily under the radar, but I am just a huge fan of these artists) Kahlil Joseph, Michael Langan, Mikey Please, Aoife McArdle, Julie Faure-Brac, Geoffrey Lillemon, Lucy McRae, Jon Rafman.

JH: Never seen Julie Faure-Brac’s work before! Very cool. I usually end interviews by asking what’s one thing you’d like to accomplish this year? And also, what’s something you’d like to accomplish in your lifetime?

ATH: I hope to actually begin shooting (or be ready to shoot) my next short film by end of the year. Lifetime – I want to direct the next Dark Crystal.

 

Andrew Thomas Huang’s Website

Andrew Thomas Huang on Twitter

 

If you would like to participate in the “Drawing On The Past” project it’s open to anyone and we’d love to have you. Full project instructions HERE.

We are releasing our very limited edition Herschel Supply and Booooooom bag to the public on July 7th at 9am. It will be for sale online HERE.

25.06.14 by Jeff

Colin Furze: “Inside The Mind Of An Inventor”

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Colin Furze is a plumber by day and an inventor the rest of the time. His name has become synonymous with phrases like “wall of death” and “jet bike”, and he currently holds the Guinness World Record for the World’s Fastest Pram, Longest Motorbike and biggest Bonfire. Watch a profile on this wonderfully crazy inventor below.

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22.06.14 by Jeff

“Drawing On The Past”: Interview with Tran Nguyen

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Last week was the official launch of our latest project, “Drawing On The Past”. I’ve produced a special bag with my friends at Herschel Supply and we’re releasing it as part of an art project open to anyone. I would love it if you joined in on the fun; full instructions HERE.

I asked a few people to help me get things started. This gorgeous drawing above is a submission to our project by one of my favourite artists, Tran Nguyen. Enjoy a short interview with her below!

 
 

Interview with Tran Nguyen

 
 

Jeff Hamada: Maybe you could start off by describing where you are as you answer these questions! I’m sitting in my apartment here in Vancouver, listening to Brad Mehldau’s piano cover of Radiohead’s “Exit Music” and the sun is just starting to go down.

Tran Nguyen: I’m relaxing in my studio here in Atlanta, enjoying a nice cup of Yogi green tea and listening to those insanely addictive songs from Disney’s Frozen.

JH: If you wrote your own Disney movie what would the plot be?

TN: The story would revolve around two tiny nymphs, a brother and a sister, who inhabits a floating island the size of human hand.  The island is actually a flowering plant in a pot, cared for by a little boy.  The boy planted the magical seed and watered the sprouting island for many weeks, but one day, as the house cat scuttled by the window, he accidentally knocks over the plant pot tossing the brother from the island, out the window and into the backyard.  The plot will focus on the sister’s journey to find her lost little brother in an unknown world of singing songbirds, sinister garden snakes, and unexpected, unyielding courage.

JH: That sounds amazing! Maybe someone from Disney will read this and hire you. I read that you were born in Vietnam, but raised in Georgia, could you get good Vietnamese food there? When I went to Vietnam recently I was surprised by how much variety there is food-wise; so much more than just pho.

TN: Honestly, if I’m in the mood for Vietnamese food, I make a trip to my parent’s kitchen.  They make the most scrumptious and tantalizing dishes I’ve ever consumed.  Elsewhere, I’d recommend the small restaurants located on Buford Highway, Atlanta.  I think dishes other than pho are a bit too exotic for American tongues and can be an acquired taste. If you’re an adventurous eater, I’d recommend ca kho to. I love, love seafood.

JH: Was art school a good experience for you? I know for some people it isn’t.

TN: Personally, I grew exponentially when I attended SCAD. My family and I didn’t have much growing up so I felt immensely fortunate to attend a private art college. I do have a few friends that felt a bit of resentment when they graduated, but I believe your education is what you make of it.

JH: I read in a couple other interviews that your parents lived their whole lives with very little, I’d imagine that would be a good reminder that making art for a living is a luxury. Do you ever feel extra pressure to make something of yourself as an artist because of your upbringing?

TN: Absolutely. I’ve seen the hardship my family’s endured so I could never take my privileges for granted.  Because of my upbringing, it’s motivated me to find a way to help people with imagery, live to my potential, and persevere over all obstacles that may come.  I would never want to disappoint my family. They’ve sacrificed too much to bring me to the States, and cared enough to send me to an extremely expensive college, for it to be thrown away.

JH: What are some of the things influencing your work these days?

TN: These days, I’ve been heavily inspired by haute couture. I’m extremely fascinated with manipulating and constructing fabric to create abstract form, which is a subject matter I’ve been visiting recently; particularly pleated textures. As always, my concepts are focused on therapeutic imagery.

JH: I don’t find a lot of work by Vietnamese artists (at least not as much as I’d like), do you know a secret website where can I find more work by artists from Southeast Asia? If there isn’t one, there should be.

TN: Unfortunately, there aren’t many Vietnamese artists. I only know a handful and I think it’s because art isn’t respected as much as it is in the U.S., plus the market barely exists in countries like Vietnam. I hear it’s gotten better these past few years so I’m hoping for a plethora of artists from Southeast Asia in the near future.

JH: I like to end interviews by hearing about an artist’s personal goals. Could you share something you’d like to accomplish this year, and then something you’d like to accomplish in your life time?

TN: By the end of this year, I’d like to take my dad back to his hometown in Vietnam.  He’s worked his whole life and has missed out on a lot.  After working 70+ hours a week for 24 years, he deserves a long vacation. On my deathbed, what will matter most is whether I can confidently say that I’ve lived a honest life I can be proud of — something I’ve been working towards since high school.

JH: Your drawing is incredible, thanks for being a part of the project.

TN: Thanks so much, Jeff.

 

Tran Nguyen’s Website

Tran Nguyen on Instagram

 

If you would like to participate in the “Drawing On The Past” project it’s open to anyone and we’d love to have you. Full project instructions HERE.

We are releasing our very limited edition Herschel Supply and Booooooom bag to the public on July 7th at 9am. It will be for sale online HERE.

 

09.06.14 by Jeff

Video Profile: Designer James Victore

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The latest episode of the interview series “Like Knows Like” features Brooklyn-based designer and teacher, James Victore. I previously posted about Victore’s insightful Youtube series “Burning Questions” here.

Watch the video below.

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