At.Long.Last.A$AP doesn’t come out until June but A$AP Rocky has released another video. Directed by Dexter Navy (with A$AP Rocky getting a co-direction credit), the video complements “LSD”‘s smooth beat with lots of psychedelic transitions. Watch the video below.
In this video by Mitch Moore, Iowa-born pianist Bruce Brubaker performs Philip Glass’s “Metamorphosis 2” and talks about the significance Glass’s work. Having played and studied Glass’s music for over 20 years, Brubaker stresses Glass’s belief that art isn’t the sole property of the person who creates it but is, rather, completed by the people who take it in. See the video below.
Very excited to premiere a song by one of my favourite producers right now, Denver-based artist Muta. The song is called “At Night” and will be released on May 18th as part of Canadian label King Deluxe’s “Year Four” album, which you can pre-order here. Have a listen to the track and download it for free while you can!
According to The Guardian, Robin Thicke and Pharrell Williams have been ordered to pay $7.4 million to Marvin Gaye’s children for copying the late singer’s song “Got to Give It Up”, for their song “Blurred Lines”.
There are so many opportunities here for bad puns based on the two song titles, but all joking aside, this is actually pretty crazy. If you listen to both songs, it’s obvious that Robin Thicke and Pharrell were inspired by Marvin Gaye and that era, but I fail to see (hear) the plagiarism. What parts did they steal? The lyrics are different, the chord progression is different; I don’t understand the ruling.
I do think Robin Thicke is a spineless hack. He claimed he wrote “Blurred Lines” before the lawsuit, and then quickly threw Pharrell under the bus, claiming Pharrell penned the whole thing while he was drunk and high. He is talentless and slimey, but none of that changes the fact that these two songs are different. Marvin Gaye’s children do not deserve anything in this particular case.
If this goes through it’s setting a pretty scary precedent. I’ve embedded both songs below so you can compare the two. I honestly can’t figure out how they came to this decision.
I’m excited to share with you this interview and exclusive mix for Booooooom by Garrett “Scooter” Oyama, aka Go Yama. I came across Go Yama’s incredible cover of Flying Lotus’ “Putty Boy Strut” a couple months ago and found myself listening to it over and over and over. This feature came directly out of my obsession with this song.
I’m always hunting around on Soundcloud for up and coming artists, and producers. If you would like to nominate yourself or someone else for a feature like this, please share a link to a Soundcloud page in the comments! Listen to the mix and read the full interview below.
This is the best! Here is your inspiration for today, a video of the 2014-15 Louisville Leopard Percussionists rehearsing “Kashmir”, “The Ocean”, and “Immigrant Song” by Led Zeppelin. These musicians are all students between the ages of 7-12, and each learns several different instruments as part of the program: xylophones, marimbas, vibraphones, drums, timbales, congas, bongos and piano. Watch the video below and try not to smile! Their faces at the end are priceless.
Happy to premiere this video for Vikesh Kapoor’s “Blue-Eyed Baby”, from his terrific debut album “The Ballad of Willy Robbins”. I don’t know much about folk music but I find there’s a honesty in his music that I don’t hear in a lot of the folk pop that’s become so popular. Really beautiful stuff.
Vikesh is headlining a tour around the UK/Ireland next month, so for those of you who live out that way, I’ve included a list of tour dates along with the video below!