The Matrix-like shots in this video were each made using 625 pinhole cameras and a single strip of 35mm film! The rig that director duo Bison invented for this is incredible. Watch the behind the scenes video and the final product below!
Last month we launched a project to build a sculpture in Barcelona, at the IAM Festival, using pencils mailed in from all over the world. We collaborated with Vancouver-based studio Tangible Interaction to 3D-print special connectors that would allow us to connect the pencils together in a variety of ways. It was a pretty ambitious project considering we only had a few weeks to collect pencils and it would only work if we had lots.
You guys totally came through! All in all we had well over 1,000 pencils from all over the place: North and South America, Asia, Europe, Australia, India, and Sri Lanka! Thank you all for making our project in Barcelona a success! If you sent us a pencil you can now say that you have exhibited at the Design Museum of Barcelona, that’s pretty cool!
Here is a quick time lapse of people at the event building the sculpture with your pencils and a gallery of all the people who emailed in a photo of themselves. These photos represent a small fraction of all the people who took part in the project but I think it still beautifully represents the way the Internet can used to create an artwork using bits and pieces from all different countries.
Thank you everyone! Gallery of “pencil people” below!
Designers Giorgia Lupi (New York) and Stefanie Posavec (London) recently launched a fascinating postcard project called Dear Data. Each week the two data artists measure one aspect of their daily lives and then represent that information with a drawing on a postcard. Every Monday they put their postcards into the mail to journey across the ocean to the other and begin collecting data for the next postcard. Having only met twice in person, this project is as much about the two of them getting to know one another as it is about finding creative ways to record details of their own lives.
There are so many interesting details in the notes they make for each other; instructions on how to decode the often extremely abstract ways they’ve represented their findings, as well as little tidbits about their day. The topics they choose for each week vary from people and purchases they make to emotions and the number of times they look at themselves in a mirror or window.
I love the analog and imperfect nature of the project; I think it makes the idea of data visualisation more accessible. I’ve included a bunch of their postcards below. Head over to their site to see larger images (they’re worth reading).
My absolute favourite video series on the entire Internet (previously featured here and here and here) returns with a new episode. “Don’t Hug Me I’m Scared” is terrific series of shorts by Becky Sloan and Joseph Pelling that utilize puppets, live-action, and animation to create a sort of bizarro Muppet world.
Every episode begins as a cheerful kids show and eventually shifts into something a little more creepy and sinister. Wonderfully dark humour, exquisite set and character design, flawless editing and art direction; this is as good as it gets as far as I’m concerned.
Watch “Don’t Hug Me I’m Scared 4″ below!
If there was one digital medium that caught the attention of the online public in the past five years or so, it is obviously the Graphical Interchange Format, commonly referred to as the GIF. Initially employed as a file format for simple animations, over time it became the medium of choice for many artists and creatives to present their work thanks to improved bandwidths and easier storage on social media platforms.
Over the past year or so we have seen GIF art implemented in mainstream gallery spaces such as The Museum of Moving Image or Tate Britain’s 1840s GIF Party, or by way of Augmented Reality, presenting works at physical spaces through a smartphone device via barcodes, such as Rua Red’s Glitch Festival or GIF Art blog 15 Folds exhibition at the Lyst Gallery.
Back in 2012 the Photographers Gallery, London, was smart enough put together a major show about the format ‘Born In 1987‘, but before this all became fashionable in the art world, an organizer and artist from Toronto saw the potential of integrating this format into real-world events and collaborated with another artist whose medium of choice is the GIF itself, curating a collection of works created on a computer by artists from around the world, and projected on walls to accompany the surroundings.
The show was called ‘Sheroes’, a monthly event started in 2011 to 2012 that each month focused on female pop-icons ranging from Nina Simone, Erykah Badu, Yoko Ono, Madonna, Dusty Springfield or Dolly Parton, a range of artists whose distinct talents enriched pop culture, a “League of Legendary Ladies”. Here I will talk to Rea McNamara and Lorna Mills about the origins of this emerging scene and how it all started.